Our minds are quick to convert new optical experiences into familiar stories, favored viewpoints, comforting metaphors. No wonder, for how else can we manage optical data flows of 10 MB per second without familiar categories for filing, without the rage for wanting to conclude?
An excerpt called "See Now… Words Later," from the Edward Tufte’s upcoming Seeing Around. Here’s a related link to Tufte’s sculptural work.
I’ve been reading A Pattern Language: Towns, Buildings, Construction
But unless the building is oriented toward the outside, which surrounds it, as carefully and positively as toward its inside, the space around the building will be useless and blank—with the direct effect, in the long run, that the building will be socially isolated, because you have to cross a no-man’s land to get to it.
Look, for example, at this machine age slab of steel and glass. You cannot approach it anywhere except at its entrance—because the space around it is not made for people.
I couldn’t help but think of the “Skip Intro” splash page as the realization of a building’s edge on the web.
I Love Typography featured some of Maggie’s letterpress work in the “Sunday Type” post for April 21. We’re always excited when her work is recognized, but to be noticed by one of our favorite blogs is truly very flattering.
You can check out more of Maggie’s letterpress work on her blog and at her Etsy store.
I’ve mentioned political typography here before, and the Times blog piece linked below is just an extension of that discussion. What I want to draw your attention to is what I think might be the first ever appearance of Comic Sans in the gray lady:
Change you better believe in.
Thanks for the link, Maggie!
To the Letter Born – Campaign Stops – 2008 Elections – Opinion – New York Times Blog
He brought his own frustrated consumer experiences to bear in creating the business model, and eliminated many of the usual array of motor-oil choices—startup, high-mileage, various blends—from his inventory. “You get the shit out of the ground,” he said, referring to standard Castrol GTX, “or the shit made in the laboratory that’s the perfect lubricant” (Syntec). “Meaning, it’s either A or B. It’s not about the oil. It’s about the people. They got confused.” He stocked the places with baseball memorabilia and flat-screen TVs, and served free coffee (“the good kind”), so that customers would associate the experience with luxury rather than with cumbersome chores. Although he recently divested, owing in part to a rise in the minimum wage, he gave me directions to the Team Dykstra Automotive Center in Simi Valley, so that I could see for myself. “It’s the Taj Mahal of car washes,” he said. “Ask for Carlos.”
The Sporting Scene: Nails Never Fails: Reporting & Essays: The New Yorker
I found myself riveted to this scathing writeup of the MTA’s Hudson Yards plans, announced today.
(For those outside of NYC, the Hudson Yards is a large piece of undeveloped property in Hell’s Kitchen (or “Midtown West”), basically the last large piece of undeveloped property in Manhattan. As you might guess, it’s valuable. The Metropolitan Transit Authority owns the property and has been shopping around the development rights for some time.)
From the article:
Equally unsettling is how the project fits into the surrounding urban fabric. The towers loom over the High Line, forming a colossal barrier against the Chelsea neighborhood to the south. (Allowing 11th Avenue to run through the site will lessen the effect slightly, but not much.) Arranging the towers along an east-west axis — a break from the traditional Manhattan grid — is only apt to reinforce the site’s image as an introverted corporate enclave.
This seems to suit the transportation authority’s agenda just fine: it always has been more interested in how much money it could make off the site than in the impact that the development would have on New York. The city could build at much lower density without spending a penny of taxpayer money.
I’m surprised at the indignation here. It can’t possibly come as a surprise to an architecture critic that a developer would sell to the highest bidder. I honestly have no idea whether the MTA–a quasi-governmental agency, I guess?–has any responsibility to be publicly beneficent with the land it owns.
Let’s assume for a moment, though, that the MTA is responsible for championing the public good as Ouroussoff suggests. Surely physical architecture is not the only criteria by which we judge an organization’s contribution to the public good. Many G train riders would happily trade several acres of “miserably depressing” architecture in the already miserably depressing midtown Manhattan if it meant the MTA provided more frequent service and full-time connections to working class neighborhoods in Queens.
I am over-simplifying, to be sure, but so is Ouroussoff. The breathless article about the conflict between private profit and public good has been written before. Only a fool would believe that New York City landowners have a cut-and-dried choice between the public good and “hustling for money.”
Inspired by a new article on A List Apart:
Sites that use tagging systems like Magnolia, Flickr, and Digg also provide insight into search behaviors, as each user defined tag illuminates the way in which users label content for retrieval. Simply search for a term you think people might use to find your site, then check out the tags that are associated with the items returned. It’s like peering inside your users’ heads!
These keywords are useful for lots of things: copy writing, designing AdWords campaigns, and basic SEO insights about <meta> tags. Be sure not to place too much stock in these keywords, though, especially if you have a small sample of tags generated from del.icio.us. Keep in mind that those keywords are generated by del.icio.us users, who may constitute only a small segment of your site’s total audience. Their needs and motivations – and how they think about and tag your site – may be very different from other segments of your audience.
This method is simply a cheap, fast way to find out how some of your users think about your site.
A List Apart: Articles: Findability, Orphan of the Web Design Industry
Here’s my problem: I have to remember the date I made a change on a website if I want to do a simple before and after comparison in Google Analytics.
Something happened on March 17, but you’d never know it by looking at Google Analytics.
What if Google Analytics let you place a simple marker on your timeline to help you remember events? It needn’t be any more complex than the dividend marker or news flags used to denote important events in Google Finance:
Two types of milestones in Google Finance.
A simple visual indication is all the work required of a Google Analytics milestone. I can manipulate the date ranges and data views as needed, on my own—no “milestone comparer” or “milestone manager” functionality necessary.
It seems the topic of failure is coming up a lot lately in the design blogs I read. Perhaps we’re all collectively dreading our Q1 reviews.
Lame joking aside, this passage resonates right now as Maggie and I are building up her bookbinding empire, which is arguably a design process within a business context. As we experiment with different ideas, layouts, or plans, we’re “recognizing accidents” all over the place as a result of our past experiences. I never thought of it in those terms until today.
Nancy Skolos remembers that one of her teachers used to say, “A good failure is worth a lot of mediocre successes.” To varying degrees, we carry this sensibility through into professional practice. For example, Jonathan Hoefler says, “Increasingly I think about the work that I do not so much as a directed effort, but as the ability to recognize accidents and interpret them productively. Even failures have their place, since without them there’s no progress: anything that’s truly ‘experimental’ has to run the risk of failure.”
Fellow Fitster Noor is blogging her experience at SXSW Interactive. She has an insightful post up describing her first impressions as a conference “nobody.”
Today marked my third day at SXSW and it has been a really bizarre experience. There are times when I feel like I’ve been swallowed whole into the tubes of the interwebs. I keep seeing “famous” people walking around and all I can think, “OMG! IT’S [INSERT A-LIST BLOGGER/INTERNET FAMOUS PERSON] FROM [BLOG/URL]! OMG!” I keep imagining these people walking around with their URL and Technorati rank floating above their heads (sort of like the Sims). All the while, I couldn’t help but feel like I was back in high school again.
I hated high school.
Sans Comic Sans is written by Matt Raw in Brooklyn, NY.